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BTS launch their new album on April 12, appear on Saturday Night Live the next day. Why this matters.

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BTS launch their new album on April 12, appear on Saturday Night Live the next day. Why this matters. | The Thaiger

The music business is about to have another one of those seismic shifts in the next month as the power of the music business continues to dribble away from western record company influences to a more democratic, social media-driven, business model.

In the past two years, mainly, a small South Korean production house has re-tooled the massive world music business (and it is, first and foremost a ‘business’) with one product.

Bangtan Sonyeondan, better know around the world simply as BTS.

The seven members of the K-Pop phenomenon (and the word phenomenon is aptly applied in this case) actually debuted in 2013 after forming originally in 2011, but they’re hardly an overnight success with real struggles threatening their success along the way. The BTS that writes, produces and performs in 2019 is a slick, highly professional performance and business unit that has, mostly by design, completely rejigged the fatally-wounded ‘old’ music business model. From a try-hard hip hop band to world-class music artists is a fascinating journey in the annals of the modern music business.

Also consider they’ve done this singing, mostly, in Korean.

Whilst the record companies continue to roll out the ‘oldies’ with another Greatest Hits compilation, or interpret their 70s and 80s heroes on the big screen (another guarantee to boost flagging music sales and downloads), there is some light at the end of the music tunnel which gives us hope of some great tunes ahead.

From first impressions the septet of BTS are just another fresh-faced boyband with catchy hooks, hair tosses and screaming fans – we’ve seen it all before, right? Except that they’re South Korean in a white-washed music world.

But behind the facade is some raw talent, a highly skilled back-room and the use of social media as a jack-hammer, not just a tool. After charting two of their albums at #1 in the Billboard Hot 200 last year, a first for a Korean band, appearances on the American Music Awards, the Grammies, Ellen, all the popular Tonight Shows, the front cover of TIME and a series of sell-out concerts around the US, the seven young men are about to take the next big step, and it will be big.

Days after BTS announcing their forthcoming Map of the Soul: Persona album coming April 12, they also announced they are appearing on SNL, Saturday Night Live, (NOT Donald Trump’s favorite TV show) the day after.

Saturday Night Live announced that BTS will make their musical debut with Emma Stone, a self-declared K-pop fan, on the April 13 episode.

SNL is a highly coveted stage for any performer and has the ability to bring an artist to new heights of their career. A pre-fame Adele performing in a 2008 episode went on to the highest-rated episode in 14 years and sent her 19 album to new highs on the charts.

BTS, although still in their early to mid-20s, are already seasoned live and television performers. There would be more BTS live YouTube clips on the net than any other performer, period. They know the performance craft and how to play an audience. The sales of their music speaks for itself, their YouTube click numbers are astonishing. Type ‘BTS’ into Google and you get 490,000,000 results!

BTS launch their new album on April 12, appear on Saturday Night Live the next day. Why this matters. | News by The Thaiger

And that’s part of the magic formula that separates them from just about every previous band. Whilst using social media is nothing new, BTS has amassed an enormous world-wide audience of music downloaders, ticket and merchandise buyers and sheer screaming hordes beyond anything previously attainable. And there’s a lot more to come as the fan base spreads out of Asia into the rest of the world.

Of course it’s easy to say the band came along at the right time, given the rise and rise in social media’s impact on our lives. But they’ve been first band to really harness the power in ways most other bands never even thought about.

Their fanbase is called ‘Army’, an appropriate name given the onslaught on music fandom around the globe. That the enormous fanbase started in Asia and is spreading westward is something we’ve not seen before.

BTS also deliver a different message aimed squarely at their peers and not with the same gloss and sheen of most other K-Pop. It’s sometimes raw, always relevant, reflecting their own battles and scars as young people growing up in a complex world. They cry, they share their fears, they argue on their videos, they’re humble – it’s very different.

The BTS-on-SNL program will be, easily, the biggest audience the show will EVER have, not by a little, by a LOT. That’s quite an easy prediction given BTS’s chart history, their YouTube viewer numbers, their growing appeal and the sell-out concerts, around the world.

For a crash course in BTS, check out this video (below). There are also thousands, yes thousands, of other videos apart from their award-winning music videos as well. Such is the power of Army, the power of social media, the power of good music well performed, and the hope that cream always, eventually, rises to the top.

The Saturday Night Live episode airs in the US on April 13.

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Bangkok

Green Day heading back to BKK in 2020

The Thaiger & The Nation

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Green Day heading back to BKK in 2020 | The Thaiger

Green Day, five-time Grammy Award winners, are embarking on a global tour in 2020, including a stop-over in Bangkok during March. The rock ‘n’ roll Hall of Fame inductees will perform a series of concerts throughout Europe, UK, North America and Asia.

“Green Day Live in Bangkok” takes place on March 11, 2020 at Impact Arena, Muang Thong Thani. But it’s not their first time. Green Day sold out concerts in their last Thai live gigs in 1996 and 2010.

Formed in 1986 in Berkeley, California, Green Day is one of the world’s best-selling bands of all time, with more than 70 million records sold worldwide and 10 billion cumulative online streams of their music and performances. Their 1994 breakout album “Dookie” is widely credited with popularising and reviving mainstream interest in punk rock, catapulting a career-long run of No 1 hit singles.

In 2004, Green Day released the rock opera “American Idiot”, selling more than 7 million copies in the US alone and taking home the Grammy Award for Best Rock Album. In 2010, a stage adaptation of “American Idiot” debuted on Broadway to critical and commercial acclaim. Entertainment Weekly called Green Day, “The most influential band of their generation,” while Rolling Stone said, “Green Day have inspired more young bands to start than any act this side of KISS, and that doesn’t seem to be changing.”

Green Day Live in Bangkok 2020 is on March 11, 2020 at Impact Arena, Muang Thong Thani.

Ticket prices start at 2,000 baht and tickets go on sale on November 2 at all ThaiTicketMajor outlets via www.livenation.co.th or www.thaiticketmajor.com or call: 02 262 3838 for more information.

SOURCE: The Nation

Green Day heading back to BKK in 2020 | News by The Thaiger

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Entertainment

The K-pop Olympics: performers battle in the K-pop festival

The Thaiger

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The K-pop Olympics: performers battle in the K-pop festival | The Thaiger

On the streets, in parks and garages, seven Cuban youngsters spent seven months practising K-pop moves to secure a spot on their dream stage: an appearance in South Korea to imitate their idols. 13 final teams from 80 countries are competing in the 2019 event.

At the grandly titled and government-funded Changwon K-pop World Festival contestants from around the globe perform imitation dances or sing cover versions of the genre’s biggest hits, with thousands of fans cheering them on.

In terms of global heft, South Korea is overshadowed by its much larger neighbours China and Japan, but the event is a way for Seoul to derive soft power from one of the country’s biggest cultural exports. In terms of pop-power, South Korea’s K-Pop is now a recognised world-wide music phenomenon with bands like BTS and Blackpink figuring amongst the other big-hitters on the Billboard charts and outselling their western counterparts with millions of albums and downloads.

The K-pop Olympics: performers battle in the K-pop festival | News by The Thaiger

Finalists for this year

Cuba’s Communist government is one of North Korea’s few remaining allies: when President Miguel Diaz-Canel, successor to the Castro brothers Fidel and Raul, visited Pyongyang last November he was only the third foreign head of state to do so since leader Kim Jong Un inherited power in 2011.

But rather than geopolitics, Havana performer Karel Rodriguez Diaz – whose mannerisms and sleek hairstyle could easily be mistaken for those of a K-pop star – is more motivated by high-tempo beats and superslick dance moves.

“We never had a place with a mirror or a choreographer who could teach us the steps” but they kept on practising, he said.

His team-mate Elio Gonzalez added: “We are so excited to represent not just Cuba but also the whole of Latin America.”

Some 6,400 teams from more than 80 countries entered the competition, according to organisers, with 13 groups from places as diverse as Kuwait and Madagascar winning through to the final in Changwon, where they appeared on stage waving their national flags.

“This is like watching the Olympics, a K-pop Olympics,” said the event’s host Lia, a member of K-pop group ITZY.

The K-pop Olympics: performers battle in the K-pop festival | News by The Thaiger

The Korean Wave

K-pop – along with K-drama soap operas – has been one of South Korea’s most successful cultural exports to date. A key part of the “Korean Wave” which has swept Asia and beyond in the last 20 years, the K-pop industry is now estimated to be worth $5 billion, with boyband BTS its latest high-profile exponent, becoming the world’s most successful band in the past 12 months, selling out stadium concerts within minutes, around the world.

The South Korean government has financed a variety of K-pop themed events in what CedarBough Saeji, a visiting professor at Indiana University Bloomington in the US, said was a form of long-term “soft power diplomacy”.

“When you are covering you get to ‘become’ those idols for the three and a half minutes of the song,” she said, adding that performers will go so far as matching their clothing, accessories and hairstyle to their heroes and heroines.

“The cover dancers of today will be diplomats, news reporters, and business leaders in forty years,” she went on.

“And hopefully they’ll still have a soft spot in their heart for Korea. Korea can’t win the world through hard power – armies, economic bullying – but with soft power even a small country like Korea has a chance.”

The music also provides an artistic alternative for overseas fans, especially those in developing countries, Saeji added.

“The West, especially the United States, has been so dominant culturally for so long, and having a different cultural pole to look to provides hope that one’s own country can experience similar success in the future.”

The K-pop Olympics: performers battle in the K-pop festival | News by The Thaiger

Be who you want

Beneath its glitz and glamour, the K-pop industry is also known for its cutthroat competition, a lack of privacy, online bullying and relentless public pressure to maintain a wholesome image at all times and at any cost.

Sulli, a popular K-pop star and former child actress who had long been the target of abusive online comments was found dead on Monday, with her death sending shockwaves through fans around the world.

“I think a day where (people) would be ashamed of the K-show business will surely come,” a South Korean online user wrote in the wake of the star’s death.

“I think an industry that makes money by (making people) sing, dance, undergo plastic surgeries and go on a diet to please the gaze of others since they are teenagers should really go bankcrupt.”

But for Kenny Pham, a finalist from the US at last week’s contest, K-pop’s diversity – with some tunes having dark themes, while others were “cute” or sensual – is what gives him a sense of liberation.

“I like how expressive you could be,” the 19 year old told AFP last week.

“I feel like it’s a place where you could show the passion you have for music, dance or fashion. No one is bashing you for what your likes are.”

SOURCE: Agence France-Presse

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Chiang Rai

Journey back to Tham Luang in ‘The Cave’ – VIDEO

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Journey back to Tham Luang in ‘The Cave’ – VIDEO | The Thaiger

PHOTO: Tom Waller on site during the filming of The Cave – AFP

Determined divers racing against time. Rising waters threatening lives. 12 teenagers and their soccer coach trapped inside for two weeks. A remote cave that most had never heard of.

The stuff of a Hollywood drama, except that it’s all true and happened in Chiang Rai last year. Now the first of several re-tellings of the story comes to the big screen in The Cave.

The ordeal in late June and early July last year had barely ended when filmmakers began their own race to get the nail-biting drama onto cinema screens. The first of those projects premiered at the start of October, when director Tom Waller’s The Cave showed at the Busan Film Festival in South Korea.

The film was shot over three months earlier this year and has been in post-production since then. The 45 year old Thai-British filmmaker says the epic tale of the Wild Boars (Mu Pa) football team was a story he simply had to tell.

“I took the view that this was going to be a story about the people we didn’t know about, about the cave divers who came all the way from across the planet.”

The 13 young men entered the Tham Luang cave complex after soccer practice and were quickly trapped inside by rising floodwater. The boys were forced to spend nine nights lost in the cave, whilst Navy Seal and other diver searched frantically, before they were spotted by a British diver.

It would take another eight days before they were all safe, against all odds, in a risky mission.

Waller was visiting his father in Ireland when he saw television news accounts of the drama.

“I thought this would be an amazing story to tell on screen.”

But putting the parts together after their dramatic rescue proved to be a challenge. Thailand’s government, led by the military NCPO, became very protective of the story, barring unauthorised access to the Mu Pa team or their parents. Waller often feared his production might be shut down.

His good fortune was that the events at the Tham Luang cave in Chiang Rai province had multiple angles and interesting characters. Especially compelling were the stories of the rescuers, particularly the expert divers who rallied from around the world. He decided to make a film “about the volunteer spirit of the rescue.”

Other people proposed telling the story from the point of view of the boys, and Netflix nailed down those rights in a deal brokered by the Thai government.

“I took the view that this was going to be a story about the people we didn’t know about, about the cave divers who came all the way from across the planet. They literally dropped everything to go and help, and I just felt that that was more of an exciting story to tell, to find out how these boys were brought out and what they did to get them out.”

Waller even had more than a dozen key rescue personnel play themselves.

Waller said they were natural actors, blending in almost seamlessly with the professionals around them, and helped by the accuracy of the settings and the production’s close attention to detail.

“What you are really doing is asking them to remember what they did and to show us what they were doing and what they were feeling like at the time. That was really very emotional for some of them because it was absolutely real.”

Waller says his film is likely to have a visceral effect on some viewers, evoking a measure of claustrophobia.

“It’s a sort of immersive experience with the sound of the environment, you know, the fact that is very dark and murky, that the water is not clear.”

“In Hollywood films, when they do underwater scenes, everything is crystal clear. But in this film it’s murky and I think that’s the big difference. This film lends itself to being more of a realistic portrayal of what happened.”

Some scenes were filmed on location at the entrance to the actual Tham Luang cave, but most of the action was shot elsewhere.

“We filmed in real water caves that were flooded, all year-round. It is very authentic in terms of real caves, real flooded tunnels, real divers and real creepy-crawlies in there. So it was no mean feat trying to get a crew to go and film in these caves.”

The Cave goes on general release in Thailand on November 28.

ORIGINAL ARTICE: Associated Press | Time.com

Journey back to Tham Luang in 'The Cave' - VIDEO | News by The Thaiger

PHOTO: Tom Waller – Associated Press/Sakchai Lalit

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