PHUKET: Any “farang” who lives with a Thai partner will be familiar, possibly all too familiar, with the rarefied world of television soap opera. As I watch, I wonder what impact these soaps are having on the Thai psyche. That they are amazingly popular is beyond doubt. Viewing figures are massive; they are watched religiously in most households, and especially by women, every night. My partner would not miss an episode of her favorite soap for the world.
Certainly they do preach a doctrine that espouses the notion that good ultimately will triumph. But on the distaff side, it can also be argued that soaps do nothing to educate, or stimulate a critical appraisal, that people just want to identify and empathize unthinkingly with their heroines and heroes. Surface values such as beauty, glamor, wealth, self-assurance, even an element of deception, are applauded; there is no encouragement of Brechtian “alienation” where the spectator stands back from the action and thinks dispassionately about all these shenanigans. The use of violence, moreover, and especially of firearms sets an unhealthy example. After all, gun crime is a daily and deadly event in the bustling sois of Thailand.
It has even been proposed by one critic that Thai soaps may be in part responsible for the spate of recent political unrest in the kingdom, that the genre’s apparent disregard for responsible conduct, its glorification of outrageous behavior, has entered the national psyche. While this is an extreme position, the diagnosis may contain a germ of truth. Conversely, soaps may promote, at least in more politicized eyes, a growing sense of resentment that the classist status quo, foregrounded by such melodramas, needs to be changed – and dramatically.
The genre is of course a global phenomenon: everywhere it is driven by suspense, by an open narrative structure that poses an unspoken question at the end of each episode – what happens next? The Thai soap opera, like many aspects of the Kingdom’s culture, has developed its own very distinctive features. Occupying two hour, prime-time evening slots, the vast majority of TV serial dramas, known as lakorn, privilege Thailand’s high society, with opulent settings emphasizing the wealthy lifestyles of the characters.
The mise en scene thus owes more to American soaps such as “Dallas” than to any European tradition. Houses are invariably portico mansions with lavishly appointed furnishings and manicured gardens, outside settings are exotic, palm-fringed beaches or famous landmarks, cars are expensive Porches, Mercedes and BMWs, the clothes of the youthful leads are “haute couture”, of the older generation, expensive Thai silk. The actors, men as well as women, look like “Vogue” models, their glossy black locks straight from a shampoo commercial, their overstated make-up camouflaging every blemish. Not a hair or false eyelash out of place, even in situations of great emotional stress or life-threatening danger – of which there are plenty.
The plots are generally formulaic, even archetypal, with a pivotal emphasis on youthful romance, on the trials and tribulations that true love must endure before it finally wins through. While the putative hero and heroine are typically identified in the first episode, there are both innocents and serpents in paradise, each identified by recognizable signifiers: the good are usually the most beautiful and most elegant women, or the most debonair men; the scheming woman, sometimes a jilted lover, is likely to be the over-dressed one with vivid scarlet lips and a pouting demeanor, and the evil man, as in the Western versions, often the character with a thin mustache and shifty eyes.
The cast also includes older and supposedly wiser characters: one common stereotype is that of the powerfully assertive matriarch who exercises control from the wings – another, that of a taciturn father-in-law involved in shady business deals. If katoeys are part of the plot, then they usually have predictable roles, acting as a safety valve for the temporary relief of dynastic tension.
Music is another important signifier. As in international cinema, it is an atmospheric device, offering, for example, clues about a sudden hike in dramatic intensity or a shift in a character’s internal feelings. But though a soap may feature a motif in the form of a repeated song or melody, there is rarely a continuous, orchestrated or electronic “score”. Indeed, to foreign ears at least, this “synced” music is frequently intrusive and unsubtle – the harsh sawing of a single violin to indicate conflict, or the plaintive piping of a wind instrument to signify sadness. Flashbacks are common currency: for example, if the heroine is musing, or dreaming about past events, the scenes are generally shown in monochrome, a convention immediately understood by the audience.
In a typical scenario, the “femme fatale”, and there is sometimes more than one, is probably in love with the male lead and desperate to do anything to “get her man.” The laws of soap demand that she must fail, ultimately, but along the way there will be deception and manipulation, violence and even suicide and murder. In keeping with Thai superstitions about ghosts (pee), the dead, wild of hair and red of eye, sometimes return to haunt the living.
The machinations of the serial medium demand many twists and turns. In a recent episode of Eesaa, the “bad” character, her evil plotting exposed, first seeks forgiveness from her mother and then drowns herself, her tear-stained face sinking slowly beneath the moonlit waters. In a “camp” moment, the hysterical heroine then throws herself, weeping and distressed, on the shrouded corpse of her rival. All soaps have deathbed scenes aplenty, and moving incidents in hospital wards are de rigueur, a hushed environment where it is “touch and go” as to whether the victim will pull through. All grist to the melodramatic mill.
Paradoxically, however, and in accordance with the strict Thai laws of censorship, there is no nudity, no simulated sex, not even open-mouthed kissing. When the lovers finally get together, they gaze adoringly into each other’s eyes and maybe brush lips, but full physical (and still clothed) contact is reserved for attempts – always unsuccessful – at sexual harassment or rape.
Modesty must be preserved. True romance must triumph over horrid reality. In the world of the soap opera, it always does…
— Patrick Campbell
K-Pop star arrested over sex tape scandal
K-pop star Jung Joon-young has been arrested over allegations he shared sexually explicit videos of women filmed without their consent.
He appeared at a court hearing yesterday where he apologised to the victims for his actions. An arrest warrant was issued a few hours later.
30 year old Jung, who was first questioned by police last week, spoke to the media after the hearing.
“I am truly sorry. I admit to all charges against me. I will not challenge the charges brought by the investigative agency, and I will humbly accept the court’s decision.”
“I bow my head in apology to the women who were victimised by my actions.”
He was escorted in handcuffs to a police station where he remains in custody.
Jung Joon-young is a South Korean singer-songwriter, radio DJ, host, actor and TV personality. He first gained recognition in Mnet’s reality television talent show, ‘Superstar K4’.
Jung is accused of being part of an online group chat that shared sexually explicit videos of women without their knowledge or consent.
Other alleged members of the group include K-Pop idol and Big Bang star Seungri and rock band F.T. Island member Choi Jong-hoon.
If found guilty of charges of sharing videos and charging for viewing the men could be sentenced to five years in prison or face a fine of up to 30 million won (842,000 Thai baht).
Jung was dropped by his management ‘MakeUS Entertainment’ and last week Seungri said he would quit the entertainment industry.
Sold over 2.6 million copies and it’s not even released. Map of the Soul, BTS.
The new album Map of the Soul: Persona has already sold 2,685,030 copies. That was in just four days up to March 17.
And it’s not even being released until April 12.
It also came to light that the same band had the second and third best selling albums in the world for 2018, according to the International Federation of the Phonographic Industry.
The Greatest Showman’ Soundtrack Edges Out BTS, Lady Gaga for Best-Selling Album of 2018.
It would be an understatement to say South Korea’s BTS’s comeback Album is highly anticipated. The K-pop heavyweights just broke their own record for preorders with their upcoming album.
The yet-to-be-released EP currently sits at No. 1 on Amazon’s CD & Vinyl Best Sellers. At this stage there’s no music, no cover, no music videos. Just anticipation.
Earlier this month, the International Federation of the Phonographic Industry revealed that BTS snagged the second and third spot on last year’s best-selling albums around the globe. Love Yourself: Tear and Love Yourself: Answer sold 2.3 million and 2.7 million units, respectively. Both albums hit the top of the Billboard 200 in 2018.
Siam Songkran Festival lights up this year’s Songkran in Bangkok
Sick of running around Bangkok with your 200 baht Tesco water pistol? Combine the annual water festival with a world class music festival instead.
Welcome to Siam Songkran, Thailand’s newest four-day Songkran festival set to be held April 12 – 15 at Bangkok’s largest city centre entertainment zone, SHOW DC Arena.
A time of tradition, Songkran is also a time of fun with family and friends, and Siam Songkran is set to blend Thai and Western cultures with a packed music and entertainment program and the largest water fight in Bangkok.
Held over four days with four outdoor zones and two huge stages showcasing live music from the biggest acts in Thailand and around Asia. Headliners include Yellow Claw, Afrojack, Coone and Crisis Era, while many others will perform such as Dolf, Zatox, Darren Styles and more.
#SIAMSongkran tickets can be purchased online at www.siamsongkran.com and range from 1,500 baht for a single day pass, to 6,400 baht for a VIP 4 Day Pass. For those looking for the ultimate festival experience, special VVIP Packages are available from 100,000 baht (for 6 pax) to 385,000 baht – the first festival pack with a pool suite.
Powered by SHOW DC, Clubbing Asia, One and Zaap, Siam Songkran will take place April 12 – 15 at SHOW DC.
Link for further details HERE.
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